The retaining wall

After much stretching across the baseboard and backache to scribe the pillars and paint the retaining wall, it's as finished as it's going to be.  From a distance, it's fine.  I just won't take any close ups.

Following a very helpful post on Iain Robinson's blog about painting stonework I thought I would experiment with shades of grey only.  I think I've been far too tied to brown hues. I am pleased with both the result and that I have learned something new.  Thank you Iain.

A bit more "infrastructure" work followed - levelling a corner of the layout to the left of the castle for a park and bandstand, cutting chapel and garage shaped holes in 4mm ply for them to sit in and laying the foundation of a road running behind the station.  (Despite the station having been lifted on and off the baseboard a number of times today, the drunken woman on the platform clings on limpet-like.  I am starting to respect her.  She may be a drunkard but her tenacity is admirable.)

I have decided that the weather will become threatening on this side of the layout. The backscene will show an approaching thunderstorm.  It's actually because I had lots of grey left over from the retaining wall.  I had nowhere else to put it so it's now the base coat for the storm.

The Chapel - almost finished but not quite

Hooray. The postman finally made it through the snow with the York ModelMaking slates.  The slates were very easy to apply coming as they do with a self adhesive back. I like them - they're ideal for someone like me who is too impatient to cut my own.  I wondered how secure they would be knowing I'd faff around painting and repainting trying to get the colour right.  I needn't have worried - after several tries, the slates held firm.

After a bit of weathering, adding gutters, outside lights and slate signs I've gone about as far as I can until I know where to place it on the layout.  I'll then need to add a wrought iron fence and gates and some fancy gate posts.  I can see that being a job that'll get neglected.

More things to do on a Snowy Day

Where will it all end?  More snow, but an opportunity to carry on with the improbable retaining wall.  I have had fun scribing the stonework.  Because the wall is so positioned that it cannot be scrutinised closely and will be fortuitously hidden from view by buildings, it is the ideal project on which to practice before tackling something more visible.  A few strategically placed plants will also help. The buttresses need to be scribed - a task for which I anticipate back ache since it means a stretch across the baseboard.  Capstones for the buttresses should be fairly straightforward but I am not so sure about those for the top of the wall.  More DAS seems the obvious choice.

(Who is that drunken woman on the station platform?)  Now, where did I park the car....?

A snowy day

I can't say I was disappointed to wake this morning to a thick carpet of snow prohibiting yet another trip to London. A day spent pottering about the railway layout instead and finishing off a couple of things.

Progress on the chapel has stalled.  The roof structure is done but the postie just can't get through with the slates ordered from York Modelmaking.  You'd think Royal Mail would make more effort.  Don't they know how important this is?

However, I have been promising to finish off the garage building for some time.  It only needed "Foundry Garage" and "Flare Petrol" signs and here they are.

I've been thinking about where to place the chapel and garage on the layout (how's that for planning?) and I think I've settled on ....... here;

The problem is of course that I see something I'd love to have a go at modelling and it has to go somewhere, no matter how improbable.  

And talking of improbable, I need to build an improbable retaining wall.  Having seen the magnificent scribed stone effects achieved by Iain Robinson and lnr models it's an excuse to have a go.  The formers for the wall are made from 3mm ply covered with air dry clay.  Slow drying air dry clay! Impatient to get started.  Looking again at the area to be scribed, it's a bit daunting but I'm interested to see how it'll work out.  If there is no follow up post, it's all gone in the bin.

The Adventure of the Overscale Window

My last post ended with me worrying about the overscale window of the chapel porch. It didn't look right at all and despite (or because of) my cack handed efforts, it refused to yield.  The only thing for it was to make one from scratch, trying to reflect the pattern in the arches of the three small top windows, by sticking bits of styrene strip on to tracing paper.

It looks better and more in keeping with the larger window panes of the porch in the original photographs of the chapel. Not perfect but better and good enough.

Thank you to Iain Robinson and Mikkel for their observations and advice.  Now, if you want to see how it's really done, hurry over to their blogs.

The Chapel Part 9

What a relief to get back from a week working in London to get on with the chapel.  I wish I'd taken the chapel with me.  I could've stayed in it and still had space left over compared with the typical central London hotel room.

Anyway, I have made progress on the windows.  Some good, some not so good.  I wanted a muted stained glass effect so scanned the York Modelmaking window frames, coloured the panes on an old image composer programme and printed the result on tracing paper.  I thought that clear styrene or acetate would be a bit too shiny (and in any case I can't print on it) and tracing paper produced a decent enough effect on the church I built earlier.

However, once the windows were fitted, the effect was more like a fun fair.  Listen, the Carousel Waltz.

After applying a little Modelmates Mud dye (left over from track weathering) to the frames and panes, the colours are better - more muted. However, the half round window over the door looks wrong.  It's O scale because there wasn't an OO scale window big enough. I was hoping it wouldn't matter but unfortunately it looks overscale.  So, I may try to make something more suitable ..... or I might just leave it.  Who cares?  Only me.  But it will annoy me to my grave.

Oh, and the roof is started.  I still haven't decided how to slate it.

Realistic Water

Well, the Alan Downes realistic water technique works an absolute treat.  And very easy too.  One coat of PVA followed by a coat of clear gloss varnish over muddy brown paint and the effect is very pleasing.

There are a few air bubbles but I put those down to the fish (the water quality being very good in this area).  I plan to have more water on the other side of the layout where I shall endeavour to take more care in applying the PVA.  Or reduce the fish stock.

I can recommend going to see this technique applied to perfection on Iain Robinson's blog.