Church Window Appeal

Work on the church is progressing.  The octagonal steeple proved less difficult than I had anticipated, styrene sheet being remarkably versatile - and thank goodness for squadron putty which covers multiple botching.

I have found that I enjoy adding the detail to a model more than any other stage but it is also the most time consuming.  I don't mind at all.  I'm enjoying it.

However, I need advice.  How do I model the louvre windows in the church tower? I have tried sticking styrene strip straight onto the window backing (painted grey in the photo) but it just isn't working. Any suggestions gratefully received.

Parish Church - Part 2

I read an article in the June edition of BRM where the author had resin cast the barge boards for a station building.  I had wondered how to make the ornamental stonework running along the top of the walls of the church and this looked like a solution (as well as being something new to play with which is a bonus). Making the short section out of styrene strip for the latex mould was very fiddly but the final casting is pleasing.  I have probably saved no time at all - each cast takes 30 minutes to dry - but am very glad I do not have to handcut the rest of the stonework.

Meanwhile, the nave and tower are in progress and some of the buttresses are partly completed.

What an educational, absorbing and fascinating build this is turning out to be.  Always the pessimist, I am gloomily anticipating the day it is finished.    

 

Parish Church - Part 1

What a challenging project this is turning out to be.  I have no idea how it will turn out but here, anyway, is a report on progress, warts and all.

The kind vicar had allowed me to take pictures and measurements and I found a brilliant android app which allows measurements to be entered onto a photograph. Now that's clever. I think so, but that sort of thing pleases me.

Of course, without incredible rubber man arms and a very long tape measure, estimating the height of the roof, tower and steeple (or anything above about 12/15 feet for that matter) is really hard because of foreshortening (if that's the right word) and the stone blocks being of variable size. In the end I have settled for something that looks about right for the nave walls and roof and will have a go at guessing the heights of the tower and spire once the nave is done.

So, beginning with the nave and after gratefully received comments on a previous post, the sides are of 30 thou styrene sheet.  The stone surrounds for the windows were cut out separately and scored - the window frame is slightly larger than the window aperture.

Onto the walls I added styrene strips at the bottom for the plinth, at the top for the whatever it's called and between the windows where the buttresses are.  (I haven't decided how I will make any of those yet).  The walls have been braced with Evergreen 10mm "I" sections.  That might be excessive but I took a guess that that this would be sufficient to stop the walls warping when the DAS was applied (as I have read can happen) and it seems to have worked.  The DAS was applied with PVA adhesive, rolled using a wallpaper seam roller (an idea I pinched from Iain Robinson), allowed to harden, sanded then scribed.  The stonework isn't quite right when I look back at the photographs of the real thing but I can correct that later.  I'm impatient to get on.  I did wonder whether 30 thou of DAS might be too thin but it seems to have taken fine.  Perhaps I will come down one morning to find it in little heaps.

The end walls followed the same process but with extra styrene sheet where the chancel and tower will attach.

Before sticking the whole lot together, Squadron filler was applied to smooth off the step between the window apertures and the stone surrounds.  I tried Milliput but the quicker drying Squadron filler was more satisfying for an impatient person.

Now, windows.  I don't know what to do.  From the inside, the windows are beautifully detailed 19th century stained glass.  I'm not going to add the protective screens but how best to represent the real thing?  

The Old Workshop - completed

I have been absorbed over the past few days working out how to construct the parish church (I'll make it up as I go along) so have neglected the old workshop. It's now done though. I have very much enjoyed the project - there's something appealing about modelling old and neglected buildings.

I have, at last, been weaned off using proprietary roofing slates thanks to the method Iain Robinson describes in the comment at the end of the post in his blog.  In case this helps someone else, I used 3x3mm squared graph paper from the web, printed on 100 gsm paper, cut into 6x3 rectangles, stuck down with PVA, painted with what I guessed was an overall slatey sort of colour, then picked out individual slates in different shades.  This first attempt is not perfect but much more pleasing - and satisfying.  It makes me think I may have to revisit the roofs of earlier models now though. (I bet I won't.  Too lazy).  The ridge tiles are strips of paper laid over a piece of string glued to the ridge, with thinner strips applied for the joins.  I copied that idea too.  I copy everything.

Here's a nice roofing example too on the lnr models blog.

The Parish Church

One of the features I fancied modelling on the new layout is a townscape with a church rising up behind the station.  A bit like Barmouth but on a much smaller scale.  Right at the top and set beneath the cliffs of Barmouth is a very imposing church.  It's surprisingly big considering the size of the town.  Looking around for something more modest I came across this pretty church, St John the Baptist at Pentrobin.

The Vicar very kindly agreed to me taking photographs and measurements.  I've taken a few so as to start thinking about how to model it but will need to return to take a lot more.

I thought about embossed sheets for the stonework but there is nothing suitable on the market so produced a very, very roughly cut and executed sample of three possible alternatives - DAS and scribed styrene, all DAS or all scribed styrene.

I've settled on the left hand one - DAS and scribed styrene.  I would have gone for all DAS but just do not feel confident enough to model the whole church that way.  Cowardly I know but I'm far more confident using styrene strip to model any ornamentation.  Looking forward to this project.

The Old Workshop

In between moving to the new work area (which is bathed in natural light and much more pleasant) I have been tinkering with the Old Workshop I started a few weeks ago.

I still need to join the two buildings with a corrugated roofed shelter, build a staircase and tile the roofs but have started painting.  I noticed some helpful tips on Lee's excellent blog on the use of talc or weathering powders after painting to blend the colours together.  It's not something I've tried before but it does give a much better effect (and the talc smells great).  I fear I may have overdone the dirty windows but a bit of a clean will fix that. 

Starting Over

A bit quiet of late but I've been moving the "workshop" to a better spec - one with natural light, which is wonderful.

Unfortunately it has meant leaving the original layout behind and starting afresh but I don't mind at all as I never want to actually finish a layout or I'd have nothing to do. Some of the buildings I will relocate from the old layout but others I will happily leave behind and pretend I never built them.

The new layout involves very little planning apart from a round and round bit for the grandchildren to play with.  I will just build around that.

I have concluded that I am incapable of planning too far in advance (although I would love to be able to create something like the wonderful Rails to Llangunllo) but I know what will happen. I'll have something in mind now I want to have a go at but then see another building or something on another blog I want to make instead.  Blog-reading, I have decided, is antithetical to planning!